The Gospel of Judas
Rodolphe Kasser, Marvin Meyer and Gregor Wurst
National Geographic, 2006. Hardback. $14.30.
The Lost Gospel; The Quest for the Gospel of Judas Iscariot.
Herbert Krosney
National Geographic, 2006. Hardback. $17.00.
When I learned about the discovery, conservation, translation, and finally–publication of the Gospel of Judas, my heart throbbed and I tossed and turned as I did when I was a young man in love for the first time. I have to admit being a secret fan of Judas Iscariot (literally, the man from the Judean village of Kariot, once located near the modern city of Arad). I’ve always believed that he got a bad rap, especially as Christ himself seemed to be in on the act in the Gospel of John, when he says to Judas, “Do quickly what you are going to do.” (13:24-27)
However, as I finally discovered that my beloved was human and not the embodiment of the Universal Feminine as I had once believed, so too, when I feverishly began to read the Gospel of Judas itself, I found an interesting, but not spectacular, retelling of the relationship between Christ and Judas, and “secrets” that are merely part and parcel of Sethian Gnosticism. This does not at all take away from the importance of the book,–truly it is an important find with some wonderful moments in the translation–but it is not the earth-shaking document we were led to expect (and as the Nag Hammadi version of the Book of Thomas certainly is) and I must say that the folks at National Geographic would have done better by muting some of the hype.
In the book of Judas, Christ is a kind of superman descended from the far-distant aeon–or sphere–of Barbelo. His disciples really don’t understand the true nature of Christ, but Judas, who has a bit of that far-distant world of perfection in his soul as well, seems to intuit what Christ really is. Christ laughs at him and at the other disciples, who appear to be intent on worshipping the bloody-browed Yaldaboath, who with Saklas (the fool) and assorted demons, created the foul world called the earth. (William Blake would have done great illustrations of these characters, I’m sure.) Those of the generation of Seth (as Judas apparently is), can manage to survive after death and return to the great uncreating, uncreated source of all that is–i.e. Barbelo. Those who are of lesser lineage return to the nothing from which they summoned by the bear-like Yaldaboath. These are the worshippers of the God of this world, usually thought of as the Old Testament Yahweh. This knowledge is the source of Christ’s mirth. His other disciples grow angry at his laughter.
Christ calls Judas aside and explains everything to him. When Judas tells Christ his dream in which the other disciples despise him and stone him, Christ assures Judas that he will eventually be greater than all the others. Then a cloud appears–ufo-like–and Judas enters the cloud. The cloud apparently has a loud-speaker system, because “a voice” announces something about Judas that was, unfortunately, lost in the original.
After the transfiguration of Judas, Jesus is handed over to the authorities.
The Gospel of Judas stops there. There is no mention of the crucifixion.
I truly wish someone would illustrate the Book of Judas as well as the books of the Nag Hammadi library–some Blake-like genius worthy of these hallucinated texts.
Interesting on a far different level is Krosney’s The Lost Gospel. This books tells the twists and turns of the story of how the Gospel of Judas was found, almost destroyed, and finally conserved, translated, and published. We’re treated to fascinating descriptions of how the antiquities business is carried on in the international market, and how a badly-damaged, barely readable text can be painstakingly rebuilt, shred by shred by gifted hands and gifted minds. The only fault that I could find with Krosney’s book is its repetitiveness. It appears to have been written with serial publication in mind, and there is a breath-taking amount of bringing the reader up to speed at the beginning of each chapter, which is not necessary in a book with an index. Some of the color illustrations, too, seem out of place in the book. These are minor quibbles, however. This book is neither too technical, nor too simple-minded concerning its subject, and as I said, is a fun read for the rainy season.